FOH @ AES — And Then Some
Historically, the annual AES Show was always considered the “studio show” — a procession of high-end, high-priced gear primarily intended for use in top-end recording studios. That conceit began unraveling with the arrival of the project studio back in the late 1980s, which coincided with the transformation of digital audio technology from an expensive hardware-based proposition (remember the Sony 3324?) to a very affordable software basis.
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