MIAMI – Kenneth Williams, FOH engineer and production manager for Erykah Badu's current world tour, will appear at Soundcraft's "Mixing With Professionals" seminar Dec. 6. Williams has also worked with artists including Estelle, Raheem DeVaughn, Corbin Bleu, LL Cool J, Stevie Wonder, John Mayer, the Goo Goo Dolls and many others.
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SEOUL – For the musical, Mamma Mia!, which opened recently at the new D-Cube Arts Center, Seoul, L-Acoustics' Korea distributor, Dream Sound, installed a K1 WST line source and XTi coaxial system – the first such installation anywhere in the world.
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KNOXVILLE, TN – Thunder Audio is supporting Dolly Parton's Better Day world tour with Meyer Sound gear. For the tour's U.S. dates, FOH engineer and production manager Mike Fechner and monitor engineer Jason Glass specified of 24 MILO and 16 MICA line array loudspeakers; eight 700-HP subwoofers; eight UPJ-1P VariO loudspeakers; 18 MJF-212A stage monitors; and a Galileo loudspeaker management system.
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Camco's D-Power series of two-channel amplifiers expands with three models: the D-Power D7, D1 and D05. Now with six models in the line, the D-Power series covers a power output range from 250W per channel at 4 Ohm to 2300W per channel at 4 Ohm. All feature Camco SMPS technology, protective circuitry and limiters and a competitive price-to-watt ratio.
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VANCOUVER, BC – BC Place reopened Sept. 30, replacing its inflatable dome roof with a new cable-supported retractable roof design. The project also included the largest installation of JBL VLA line array gear to date. Clair Brothers Audio Systems installed 160 JBL VLA601-WRC 3-way line array loudspeakers in the venue.
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WINNIPEG, MB – Tom Castor, lead pastor at Grant Memorial Baptist Church, was seeking ideas on how to improve the sound system for the church's 1,500-seat sanctuary. He turned to his brother, Dan Castor, AV designer and consultant with Momentum Systems, based in Washington, DC, who recommended replacing the extensive existing system with fewer boxes from Danley Sound Labs. Danley's Ivan Beaver assisted with the final design, and D-Lite Productions installed the gear. Three Danley SH-96s cover most of the main floor. Below each one, a Danley SH-95 provides front fill. Below the center SH pair, two Danley TH-218 subs are flown for low-end support.
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SAN ANTONIO, TX – Adrian Gallegos, co-owner of Global Productions, has been serving as production manager and monitor engineer for the Espinosa Paz's U.S. performances. Gallegos has been using D.A.S. Audio Aero 12A, Aero 8A, and Aero 50 line array loudspeakers plus LX-218A subwoofers to support Paz's performances.
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KENT, U.K. – Rental company Phonophobia put their new dBTechnologies DVA T12 system to use for a Rock Choir performance that was part of a Nov. 5 bonfire and fireworks celebration. The event drew a crowd of 14,000 to Dunorlan Park in Kent, U.K.
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LINO LAKES, MN – Eagle Brook Church, which upgraded its audio system in 2010 with three DiGiCo SD8 consoles and DiGiRacks for FOH, monitors and video broadcast production, worked with Audio Logic Systems earlier this year to take its audio system higher, swapping two of the SD8s at FOH and monitors with one of DiGiCo's newest 96K/2 gig optics-capable SD 10B broadcast console loaded with the DiGiCo Waves SoundGrid plugin bundle.
Read More »BOULDER, CO – Kevin Gross, who conceived and developed CobraNet and has helped QSC deploy Q-LAN, is chair of the new "X192" AES standards task group addressing the need for interoperability between products of many different manufacturers.
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LUTON, U.K. – Cadac Holdings Ltd. announced the departure of director of sales Bob Thomas. Thomas had joined Cadac in 2005 as managing director, where he oversaw both the broadening of its product portfolio beyond theatrical sound products and Soundking Group Company Ltd.'s acquisition of Cadac in January 2009.
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PALM BEACH GARDENS, FL – Pro Sound and Video provided the first installed L-Acoustics KARAi system for Christ Fellowship Church here. The system, designed in Soundvision, features three KARAi arrays flown in an LCR configuration (8+9+8 KARAi) concealed in soffits above the stage of the 2,200-seat octagonal sanctuary. Two four-box SB18i sub arrays, each arranged in a cardioid configuration providing focused low-frequency extension for the KARAi mains, are flown in the two spaces between the KARAi, and two SB28 subs are positioned on the floor beneath each KARAi array.
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