Sound Co: Clair Bros.
Crew
- FOH Engineer: Dave Natale
- Monitor Engineers: Mike Adams, J. Summers
- Production Manager: Dale “Opie” Skjerseth
- Stage Managers: Anthony Giordano, Seth “Burger” Goldstein
Gear
FOH
Consoles: Yamaha PM4000 (Main stage, 44 inputs), Mackie Onyx 3280 (B stage, 22 inputs)
Speakers: Arena setup: 44 i4s (for front, side & rear arrays), 44 i4Bs, 16 S4 Sub Ls, 8 P2 frontfills; Stadiums: Additional i4s (20), i4B’s (20), R4’s (24)
Amps: QSC PowerLight 9.0, Crown 3600, Carver 2.0
Processing: 1 Lexicon PCM91 reverb, 2 dbx 900 racks with Model 903 limiter modules, 1 Manley Electro Optical Limiter, 2 Aphex 612 gates, 2 tablets w/SIA Smaart, 16 Lake digital P.A. processors, 2 Alesis MasterLinks, 1 Midas XL-88 rackmount mixer
MON
Consoles: 1 Midas Heritage 4000, 2 H3000’s; Mackie Onyx 1620
IEM’s: Sennheiser G Series, Shure PSM700
Speakers: 120 Showco SRM monitors, six Showco Prism Blue cabinets, CBA I-4B subs, ML-18 subs
Amps: Crown 3600, Prism SRM racks
Processing: Avalon 737, Manley ELOP, Yamaha SPX-990 reverbs, Eventide H3000s; Lake iO’s, TC 1128 EQs, Yamaha SPX-1000, Drawmer DL241 & DS201, Empirical Labs Distressor EL-8xs, dbx 160 compressor/limiters
Mics: 150+ mics, including Shure (SM57’s, SM58’s, Beta 48 headset mic, Electro-Voice RE-20 (bass), Sennheiser 421’s (horns), 409’s (drums); Beyer M88’s, Neumann KM84’s, Radial J48, JPC, JDI, Duplex, Countryman DIs
