MIAMI – Chad Griswold, monitor engineer for KC & the Sunshine Band, responded to the new FCC restrictions on wireless gear by shopping for a replacement for the PMs the band had been using for its performances, which bring audiences back with the band's hits from the 1970s and 1980s.
"The 700 MHz issue was the trigger," Griswold said. "The new Shure PSM 900 was just being released at the time, so I decided to check it out.
"I got a demo from my Shure rep and took them out to a show, which was a great opportunity to compare apples to apples against our other systems," Griswold continued. "Sonically, it's crisp and clear, and it has more output than the brand we had been using. I love having that extra headroom available. And that's without even considering all the features on the technical side. When you put things side by side, sometimes the purchase decision becomes really obvious."
KC and the Sunshine Band has two full sets of wireless gear at its disposal, one at the band's Florida base, the other at Griswold's Mastermind Production Group Inc. in Anaheim, CA.
"KC and the Sunshine Band perform at a wide variety of venues, catering to a diverse population of audiences," Griswold noted. "Our gigs range from large corporate events to summer festivals and the high-end casino market, and it's important that we have our full complement of wireless available."
That rig includes six channels of Shure UHF-R wireless and eight channels of PSM 900. "Three of the UHF-R systems are handheld Beta 58As for the backing vocals, and the others are bodypack systems for guitar, bass, and KC's headset mic, which is the classic Crown CM311 that he's been using forever. In fact, that's one of only two inputs on the whole stage that's not a Shure mic."
In addition to Harry "KC" Wayne Casey and the backing vocalists, the show band includes original band member Fermin Goytisolo on percussion, along with a drummer, guitarist, two keyboardists, a bass, and a four-piece horn section. All are on PMs.
"It's really a great show band," said Griswold. "It's full of energy and captivating for audiences of all ages. The show is like a train. Once it starts rolling, no one can stop it. It's total entertainment."
Griswold credited the new PSM 900 system for keeping the train on track. "The musicians and singers love it," he said. "After the first sound check, my lead backing vocalist, who, shall we say, is very firm in her opinions, came up and said she absolutely loved it, that it was crisper and sounded clearer to her. As any monitor engineer will tell you, that's huge."
The ease of setup and operation were a bonus. "Shure has just added so many features that make my life easier. Frequency scanning and sync are incredibly fast, and I love the fact that the system transfers all of the information, including the names and limiter settings," he said. "And having the ability to shut down the RF while keeping the transmitter powered up is a great feature for an engineer, as is Cue Mode. Now I can walk the stage with one pack before the show and make sure everyone has a clear channel and full coverage. It's incredibly user-friendly."
Griswold also noted the PSM 900's reliability. "We've had these systems out in all kinds of conditions, including outdoor shows in 106-degree heat and 80 percent humidity, and I can honestly say there hasn't been a glitch," he said. "The bodypacks are solid and compact; the belt clips are nice and tight. Combine that with that crisp, clear sound, the solid RF, and all of its features, and there's really no area the PSM 900 doesn't excel in."
For more information, please visit www.shure.com.
