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Cirque du Soleil’s “Michael Jackson ONE” Gets Assist from Auerbach Pollock Friedlander

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LAS VEGAS — For Michael Jackson ONE, which has been in previews already and opens June 29 at the Mandalay Bay Resort and Casino here, Auerbach Pollock Friedlander provided an assist with the design of the performance systems to support the production, collaborating also with Moser Architecture Studio and Jaffe Holden Acoustics on the project.

Michael Jackson ONE photo by Isaac Brekken/Getty ImagesMore details from Auerbach Pollock Friedlander (www.auerbachconsultants.com):

Michael Jackson ONE photo by Isaac Brekken/Getty ImagesIn their seventh collaboration with Cirque du Soleil, Auerbach Pollock Friedlander, Performing Arts/Media Facilities Planning and Design, has helped create another dazzling experience with Michael Jackson ONE, honoring the creativity of the King of Pop.  This new theatrical event, opening this summer, will play exclusively at the Mandalay Bay Resort and Casino in Las Vegas.  Auerbach Pollock Friedlander collaborated on Cirque du Soleil’s theatre concept by director Jamie King and on the design of the performance systems to support the production, including the development of Cirque du Soleil’s criteria for the audience area and the technical systems such as stage machinery (including rigging and automation), the theatrical lighting control and the audio-video systems.  The firm teamed with Moser Architecture Studio and Jaffe Holden Acoustics on this unique project.

The Mandalay Bay stage was originally built as a Broadway touring venue and was most recently home to The Lion King, which closed in December of 2011.  Auerbach Pollock Friedlander’s Founding Principal Len Auerbach commented, “The design criteria for Michael Jackson ONE required the theatre to be re-imagined as a permanent production as opposed to the previous limited run Lion King production.  Auerbach Pollock Friedlander took the opportunity to reconfigure the seating and sight lines to ensure that the entire audience has a perspective view of the stage floor to fully enjoy the dancing and unique choreography of the production.  The design effort included adjusting the rake of the lower audience bowl, increasing the rake of the parterre and reorganizing audience circulation to avoid visual obstructions.”

Video and Sound

Video projections are a key element of Michael Jackson ONE.  The team at Auerbach Pollock Friedlander facilitated the integration of the comprehensive video system designed by Cirque du Soleil that allows for projections on almost every wall surface.  According to Tom Neville, “Nearly all the walls are display screens integrated with acoustical treatment and loudspeakers for full surround sound.  Our scope of work also included specifying two sound isolated projection rooms tucked in the rear corners of the auditorium that would accommodate the projector stack.  These rooms were designed to meet special cooling, ventilation, power and glass requirements.”

Every Cirque du Soleil venue has been noted for its superb sound experience.  In the case of Michael Jackson ONE, the performance sound system was designed by Auerbach Pollock Friedlander Principal Paul Garrity and Senior Associate Dan Mei in a continuing relationship with Jonathan Deans, freelance sound designer, meeting the creative demands of presenting Michael Jackson’s music.  The primary sound system loudspeaker arrays are hidden within the proscenium set design, with additional subwoofer and surround sound loudspeakers suspended from overhead catwalks. Each theatre seat back is fitted with left-center-right channel speakers to further immerse the audience into the experience.  A sophisticated electronic virtual room acoustics system provides a real-time ability to creatively alter the sound of the audience space.

Michael Jackson ONE is a new creation in residency exclusively at Mandalay Bay Resort and Casino in Las Vegas. The world premiere for Michael Jackson ONE is June 29. This entirely new show is the second creative project to be developed between Cirque du Soleil and The Estate of Michael Jackson after the top grossing Michael Jackson THE IMMORTAL World Tour, currently playing arenas in Asia as it travels the world.

 

Michael Jackson ONE: Facts and Figures:

Building Infrastructure

Successful integration of theatrical systems required extensive design and coordination of building infrastructure to accommodate the latest technology.  With the Cirque du Soleil theatre project team, Auerbach Pollock Friedlander developed criteria and coordinated the theatrical systems infrastructure within the building to achieve independent and reliable operation.

  • All spaces, including rehearsal spaces, technical offices, training rooms, dressing rooms, costume maintenance, green rooms and the technical grid, are interconnected with sound, video and communication systems from the stage area.
  • The structural support systems were developed in conjunction with Englekirk Structural Engineering for the extensive automated rigging system and included two “winch farms” supporting the control of up to 59 individually controlled motorized winches.  In addition, automated trolleys with individual winches are suspended above the audience area.  These trolleys and winches are used to gracefully move performers and scenic elements over the audience.

Three high speed fiber optic data and communications networks were installed in the new space.  These completely independent systems are set up to ensure that the automation, lighting and audio-video systems can function separately and synchronized with one another.  Each system is provided with a minimum RAID-1 hard drive array to help ensure complete system redundancy.

Audio-Video Systems

Auerbach Pollock Friedlander designed the extensive sound, video and production communication systems for the space in close collaboration with Cirque du Soleil’s audio staff and freelance production sound designer, Jonathan Deans.

  • Primary front-of-house sound reinforcement and effects playback is controlled by a sophisticated computer-controlled audio matrix and processing system. The system controls up to 120 inputs into 120 matrix outputs.  Modular control surfaces are deployed for sophisticated live mixing and routing control of microphones and multi-track audio playback.  A secondary 48 x 48 channel audio console and processing system provides performer in-ear and stage loudspeaker monitoring.
  • Additional digital mixers are included for backup and auxiliary use.
  • The electronic acoustic system is distributed to enhance and augment the theatre’s acoustics, providing real-time ability to alter reverberation time and delay characteristics as needed, using up to a 48 x 72 routing matrix and special DSP processors.
  • A redundant fiber loop audio transport system with microphone preamps routes all front-of-house, performer monitoring and back-of-house audio.  Recallable matrix presets and network server control allow for on the fly routing and switchover to backup hardware.
  • 16 channels of wireless microphones, 16 channels of stereo in-ear monitoring, 2 channels of IFB with 40 wireless receivers.
  • More than 135 primary and surround loudspeaker systems, along with 12 subwoofers, have been deployed throughout the auditorium.
  • Each theatre seat back is fitted with custom 3-channel loudspeakers, almost a total of 5,500 loudspeakers.
  • Production communications include an 80-port digital matrix intercom system interconnected with a digitally-controlled analog matrix, capable of switching 288 stations into eight party-lines.  The system provides 20 channels of wireless intercom feeding 40 wireless beltpacks.
  • Backstage monitoring and paging is controlled by a paging processor feeding over 100 new loudspeakers and allowing for paging from portable stations or digital matrix intercom stations.
  • A fiber and CAT-6 backbone provides interconnectivity for current systems and future expansion.
  • An FM assisted-listening system for the hearing impaired is provided throughout the space.  Additional systems are also provided for use with on-stage “practical” sound effects units.
  • Over 250 device panels and wall plates are fed from an extensive analog and digital wiring infrastructure using both copper and fiber-optic cabling.

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STATISTICAL INFORMATION

 

Client

 

MGM Resorts International

Auerbach Pollock Friedlander Start Date

2011

World Premiere

June 29, 2013

 

DESIGN TEAM

 

Theatre Consultant

Audio-Video Consultant

Architect

Acoustics Consultant

Structural Engineer

MEP Engineer

Life Safety

 

 

Auerbach Pollock Friedlander

Auerbach Pollock Friedlander

Troy Moser Architecture Studio

Jaffe Holden Acoustics

Englekirk Structural Engineers

JBA Consulting Engineers

JBA Consulting Engineers

 

THEATER SYSTEMS SUBCONTRACTORS

 

Automation Controls, Winches

Tracks and Trolleys

Stage Lifts

Audio-Video

Theater Lighting Contractors

 

Stage Technologies

Stage Technologies

Handling Specialties

Solotech

PRG

 

CIRQUE DU SOLEIL Creative Team and Sound Crew

 

Creative Guide

CEO, Creative Content

Writer and Director

Director of Creation

Associate Director

Musical Director

Sound Designer

 

 

Guy Laliberté

Jean-François Bouchard

Jamie King

Welby Altidor

Carla Kama

Kevin Antunes

Jonathan Deans

EQUIPMENT LIST

 

 

Loudspeaker Systems:

Main arrays & downfill: Meyer Sound MICA, M’elodie, UPJ-1P

Overhead: Meyer Sound JM-1P,  MTS-4A

Subwoofers:  Meyer Sound 1100-LFC

Surround:   Meyer Sound MSL-4, UPQ-1P, UPJ-1P, MICA, M’elodie, M1D

Stage edge: Meyer Sound M1D

Signal processing: Meyer Sound Galileo

Power amplifiers: Crown CTS-3000, CTS-2000, CTS-4200

Monitoring: Meyer Sound RMS with iLon Ethernet adapters

Power distribution, rigging, installation components: Solotech

Sound mixing consoles, effects playback equipment, signal distribution and signal processing equipment:

  • Meyer Sound CueConsole front-of-house mixing and processing system, including D-Mitri processor and matrix platform, CueStation software, Apple Mac Mini computers
  • Meyer Sound Constellation electronic acoustic system and microphones
  • Signal processing and effects units by TC Electronic & Waves MaxxBCL
  • Yamaha DM-2000 monitor and playback consoles
  • Yamaha DM-1000 utility and backup consoles

Fiber-optic redundant audio transport system:

  • Optocore DD32-FX digital I/O
  • Optocore DD2-FR-SRC network MADI device
  • Optocore X6R-FX-16 network converter
  • Optocore X6R-TP-16 converter with SANE network
  • Optocore X6R-FX-Intercom ClearCom interface

Wireless Microphone Systems:

  • Sennheiser EM 3732 Dual UHF receivers with SK 5212 bodypack
  • Active antenna system and accessories

Equipment Racks and Accessories:

  • Middle Atlantic Equipment Racks
  • Bittree, Leviton and Hubbell copper and fiber patch bays

Assistive Listening System for the Hearing Impaired:

  • Listen Technologies LT-800-216 wide-band wireless FM assistive listening system with antenna and receivers.

Production Intercom and Backstage Paging Headend System

  • Clear-Com Eclipse Median 80 digital mainframe
  • Clear-Com V-series control stations, V24LDX4 and V12LDX4
  • Clear-Com RCS-2700 8-channel analog switching matrix with PS-702 power supplies
  • Clear-Com RS-602 beltpacks, KB-702 Loudspeaker stations
  • Beyer Dynamic DT-280 headsets
  • Telex BTR-800 wireless base stations and TR-800 beltpacks.
  • Sennheiser SR-2050-XP wireless in-ear and IFB transmitters with EK2000 receivers

Program Monitor / Page System

  • Digital signal processing and control system: BSS London BLU-800 series
  • Crown CTs 4200 amplifiers
  • Electro-voice 409-8T and EVID4.2T loudspeakers
  • Atlas Sound volume controls

Ethernet Audio Network

  • D-Link managed Ethernet switches with LC fiber ports
  • Black Box portable media converters, fiber switches and fiber KVM

Portable Equipment

  • Microphones by DPA, Sennheiser and Shure
  • Whirlwind, Canare and ADC stage and patch cables
  • Stands by AKG
  • Portable monitors by Meyer Sound