NEW YORK — Masque Sound, which had supported the musical, Once, during its developmental run at the New York Theatre Workshop, backed the production once again as it made its Broadway debut. A key challenge was to maintain the production’s intimate ambience in a Broadway theatre with five times the seating capacity of the earlier venue.
More details from Masque Sound (www.masquesound.com):
As Sound Designer Clive Goodwin worked with Masque Sound for the New York Theatre Workshop production, this made the transition to Broadway smoother, though not without challenges.
“Moving the show to a 1,000-seat Broadway theatre and keeping the intimacy of the small 200-seat theatre that Once had been playing in was very challenging,” says Goodwin. “In order to do this we needed a much larger sound system, with much more flexibility. We knew equipment selection and sound design were critical.”
For the show, which includes some tender moments, Goodwin aimed to produce a gentle, intimate feel. His ultimate goal in working with Masque Sound, then, was to create an experience where the audience feels closer to the stage, partly through what it is hearing. To do this, he distributed speakers throughout the theatre as much as possible. This way, it was not necessary to turn up one large source of speakers.
Due to the size and shape of the theatre, and because of the level of excellence that must be attained with a Broadway production, Masque Sound, in consultation with Goodwin, designed an entirely new sound system for the Broadway run. Masque Sound’s equipment package included a DiGiCo SD7 digital console that offers a high level of inputs and outputs, as well as signal routing flexibility. In addition, Masque Sound provided a large Sennheiser wireless microphone rig and several different loudspeakers from Funktion-One and D&B.
“One unique aspect of the sound equipment was Clive’s use of the Funktion-One speakers,” says Scott Kalata, Masque Sound. “These very unorthodox speakers had never really been used on a Broadway stage before, and we had to import them from the U.K. So we were all curious to see how they would perform. Clive knew they would help him upstairs, just because they were entirely horn loaded. By using them, he was able to cut down on the reflections and actually point the beam of sound at people, rather than have it hit walls, giving him the control he wanted. Clive is a genius and his strong desire to use these speakers turned to out to be a major success. They sound amazing and really add a sense of warmth to the show.”
Another challenge faced by Masque Sound on this project was frequency coordination. Considering the show’s 72 channels of wireless, along with sharing a stage door entrance with two other theatres, there were numerous radio frequencies to manage in providing interference-free coverage. Although the frequency coordination was very complicated, Masque Sound’s team of experts utilized their many years of experience to ensure all of the wireless signals remained without interference.
“Masque Sound worked incredibly hard to make it all work for me and I am very grateful for that,” adds Goodwin. “They supplied everything; they built a really flexible system so we could even experiment a little as well. They really did such a great job.”
Once tells the story of an Irish musician and a Czech immigrant drawn together by their shared love of music. Over the course of one fateful week, their unexpected friendship and collaboration evolves into a powerful but complicated romance, heightened by the raw emotion of the songs they create together. Brought to the stage by an award-winning team of visionary artists and featuring an ensemble cast of gifted actor/musicians, Once is a musical celebration of life and love.
Once currently plays on Broadway at the Bernard B. Jacobs Theatre. The production opened to rave reviews on Sunday, March 18, 2012.
