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by FOH Staff • in
  • January 2019
  • Showtime
• Created: January 15, 2019

PINK © Steve Jennings


Beautiful Trauma World Tour

Sound Co

Britannia Row



FOH Engineer: Dave Bracey

System Tech: Johnny Keirle

Monitor Engineers: Jon Lewis (Pink) and Horst Hartmann (Band)

Audio Crew Supervisor: Guillaume Burquez

Techs: Shaun Ayles and Juan Beilin

Audio Valet: Jack Murphy




Main Hang/per side: (12) L-Acoustics K1, (4) K2, (8) flown K1SB subs

Side Hang/per side: (8) L-Acoustics K1, (8) K2

Rear Hang/per side: (12) K2

Delays/per side: (8) K2

Ground Subs: (27) L-Acoustics KS28

Ground Fill: (6) L-Acoustics KARA

Amps: (68) L-Acoustics LA12X



Console: DiGiCo SD7

Outboard: (4) Bricasti M7; Yamaha SPX2000; Waves MaxxBCL

Nearfields: L-Acoustics X8 reference system

System Drive: (7) Lake LM 26 and (2) LM 44



Pink Monitor Console: DiGiCo SD7

Outboard: (2) Bricasti M7; Drawmer 1973

Band Monitor Console: Yamaha PM10 Rivage

Outboard: All in-console Rivage effects

Monitor Speakers: Clair CM22, L-Acoustic X15

IEM Hardware: (4) Sennheiser SR 2000 stereo transmitters

Wireless Mics: Sennheiser Digital 6000 system with Sennheiser MD 9235 heads on SKM 6000 handhelds, Sennheiser HSP 4 headset mics.

Drum Mics: Sennheiser, with Audio-Technica ATM450s on the cymbals, hats and one tom

Misc: Radial SW8


Tour Notes

Pink’s Beautiful Trauma tour, which launched March 1 and is slated to continue with a long run of shows until Oct. 2019, is a showcase for the artist’s athleticism as well as her vocal prowess as the harness-clad star flies above the stage for some numbers and joins in with her dancers for others. For the 2018 chart year, more than 1.2 million ticket-holders paid a total $180 million to catch the 88 shows from March through October, and with close to 70 more shows already planned in the next Billboard chart year, it looks like Pink has a good shot at placing well within next year’s Top Tour rankings as well.

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